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June Apple

Linda Thomas, from Kansas City, teaches this fun modal tune for Hammered Dulcimer Players!


She is accompanied by her favorite guitarist, Dan Delancey.  Together they give a fine demonstration of the fun that a mixolydian tune can be on the dulcimer.  Then Linda teaches the tune and how to play back-up chords in an 11-episode lesson set.


Sign up and you can view the whole series here: dulcimercrossing.com

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Harmonics Lesson by Nina Zanetti

You know those beautiful chiming sounds that you hear on recordings or watch people play on the mountain dulcimer?  Those are called harmonics and, when you know where and how to play them, they can be part of your toolkit for playing the mountain dulcimer, too.

Nina Zanetti, 2008 National Mountain Dulcimer Champion and DulcimerCrossing Instructor, is known for her lyrical instrumental finger-style arrangements of classical and celtic tunes. In this 20-episode lesson set, Nina explains …

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Last Day to Sign up and Save!

Back2SchoolSpecialGraphicToday is the final day of our Back-To-School-Special, which saves you $21 off of our regular low rate of 67¢ a day for full access, all of the time to all of our lessons!

If you've been thinking that you want to get better at playing your dulcimer (either mountain or hammered!) our supportive and knowledgeable instructors may be just the tool you need to help you take your music from where you are to where you want it to grow!

Click here before Midnight and get your access for just 53¢ a day!

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Some Copyright Issues for Dulcimer Players of Music

by Steve Eulberg

May I offer a few musings on a recent conversation that has been seeded and is taking root in my brain?

Like many dulcimer players, I am just giddy when I discover that I can quickly play my favorite Jim Croce or John Denver, or Elton John or Blood Sweat and Tears tunes on the dulcimer I love! And....I get very confused when I am told that I have to respect copyrights when I want to share this music with others.

Copyright Laws were created to protect the intellectual property…

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Odd Meters

SteveBywordTower-Sq

ClubFootedJibby Steve Eulberg Playing traditional instruments in the western world, we get quite used to "square" or "even" rhythms and meters in the songs we play. Marches and Reels are in (4/4) time; Polkas are in (2/2 or 4/4).  Even jigs (6/8) have 2 pulses in their measures.  Waltzes (3/4) have a strong beat on 1.  Slides (12/8 or 6/8) and Slip Jigs (9/8) have multiple pulses in their measures, but what all of these tunes tend to have in common is that they have a regular way to be counted based on the t…

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Traditional Noter and Drone Style Lessons

by Linda Ratcliff

Traditional Noter Style

NoterStyle Many mountain dulcimer players play their instruments by pressing the fatty pads of their fingertips down on the strings to create the different notes. But there is another option. The traditional, old-time way of playing a mountain dulcimer is to use a noter. Your noter can be anything from the broad side of a popsicle stick to a wooden dowel - or anything around the house that can be used to press down on the strings. In this series of 14 videos, St…

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DulcimerCrossing Festival Scholarships

by Steve Eulberg & Linda Ratcliff

At DulcimerCrossing.com we believe in supporting all the ways that students learn to play the music that is in their hearts.  Some people learn better in the privacy of their homes, some with an individual tutor, and some learn best when immersed in a setting that is chock-FULL of music, with people who are engaged in the same pursuit as they are.

For this reason, DulcimerCrossing has provided some full and partial scholarships to selected weekend and week-long du…

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New Lesson: So You Want to be Heard?

by Steve Eulberg

Amplifying the Mountain Dulcimer.

Steve adds a sample from a new lesson series about Amplifying the Mountain Dulcimer in the DulcimerCrossing website. This sample lesson from that series that describes and demonstrates the use of a contact pickup and the combination of that pickup with a microphone. A similar lesson series for amplifying the hammered dulcimer is in development.

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Orphan Girl: New Chromatic Dulcimer Lesson!

Orphan Girl by Linda Ratcliff

For Chromatic Mountain Dulcimer Players "Orphan Girl" was written by Gillian Welch, whose musical style combines elements of bluegrass, neotraditional country, Americana, old time string band music and folk into a rustic style that she dubs "American Primitive." Gillian and David Rawlings included "Orphan Girl" in their debut album, "Revival," in 1996. This song is somewhat autobiographical, as Gillian was adopted on the day she was born, and spiritual as none of u…

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